1/5/2024 0 Comments Ogdens nut gone flake![]() Still, Ogden's was the group's crowning achievement - it had even been Marriott's hope to do a stage presentation of Ogden's Nut Gone Flake, though a television special might've been more in order. charts for six weeks in 1968, though not without some controversy surrounding advertisements by Immediate Records that parodied The Lord's Prayer. Overall, this was the ballsiest-sounding piece of full-length psychedelia to come out of England, and it rode the number one spot on the U.K. Listen free to Small Faces Ogdens Nut Gone Flake (Ogdens Nut Gone Flake, Afterglow Of Your Love and more). Even "Mad John," which derives from folk influences, has a refreshingly muscular sound on its acoustic instruments. Side one's material, in particular, would not have been out of place on any other Small Faces release - "Afterglow (Of Your Love)" and "Rene" both have a pounding beat from Kenney Jones, and Ian McLagan's surging organ drives the former while his economical piano accompaniment embellishes the latter and Steve Marriott's crunching guitar highlights "Song of a Baker." Marriott's singing has him assuming two distinct "roles," neither unfamiliar - the Cockney upstart on "Rene" and "Lazy Sunday," and the diminutive soul shouter on "Afterglow (Of Your Love)" and "Song of a Baker." Some of side two's production is more elaborate, with overdubbed harps and light orchestration here and there, and an array of more ambitious songs, all linked by a narration by comic dialect expert Stanley Unwin, about a character called "Happiness Stan." The core of the sound, however, is found in the pounding "Rollin' Over," which became a highlight of the group's stage act during its final days - the song seems lean and mean with a mix in which Ronnie Lane's bass is louder than the overdubbed horns. The Small Faces tried a little bit of all of these approaches on Ogden's Nut Gone Flake, but they never softened their sound. Sorrow, or actor/performers as on the Who's Tommy. Pepper's Lonely Hearts Club Band album), or simply as storytellers in the manner of the Pretty Things on S.F. British bands had an unusual approach to psychedelia from the get-go, often preferring to assume different musical "personae" on their albums, either feigning actual "roles" in the context of a variety show (as on the Beatles' Sgt. Again, the remasters are all done by Messrs MacLagan and Jones and is also of superior quality in sound. The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogden's Nut Gone Flake pretty much ripped the envelope. This Deluxe Edition of the Ogden's Nut-Gone Flake is a rather similar setup then the deluxe edition release of their third album and is a bit more psychedelic pop then that album. There was no shortage of good psychedelic albums emerging from England in 1967-1968, but Ogden's Nut Gone Flake is special even within their ranks.
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